MARCOS ECHEVERRIA ORTIZ
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ABOUT

 
 

"Where We Were Safe" is an interactive documentary/oral history archive that collects memories of the historical but destroyed Salsa music places in New York City, such as ballrooms, clubs, record stores, and outdoor venues. By combining social cartography and cultural memory, this project aims to reconstruct historical space and recover these sites' heritage through a lens of social, racial, and cultural dynamics that fed the Latin experience in the 1970s.

As a transmedia project, it has morphed into different media formats, such as community screenings, interactive installations, a book, and a series of oral mapping workshops. The project has been mounted and presented in the Museum of Contemporary Art in Los Angeles MOCA, The Printed Matters Art Book Fair in New York, the Museum of Urban Culture Cumandá in Quito, and other film festivals wordlwide.

“Where We Were Safe” has received various awards, including: The Mason Multimedia Award in Outstanding Oral History Project (Oral History Association, 2023) and Best Interactive Project of the Year by The Society for Visual Anthropology SVA (The American Anthropological Association, 2022).

 
 
 

 

 

THE ARCHIVE - SALSA MAP

No document or study has identified and archived the historic Salsa venues in New York City. For this reason, it was essential to create a visual representation of these cultural centers that fed the New York City's music scene in the 1970s.

The project interviewed dancers, academics, journalists, photographers, videographers, DJs, bouncers, fans, political activists, and some musicians who were directly connected to the Salsa scene.

Although "Where We Were Safe" located more than 100 places, the first stage of this map concentrates on eight locations: Casa Amadeo Record Store and Orchard Beach in The Bronx, Club Corso and Chez Jose in Manhattan, Bethesda Fountain and rumbas in Central Park, The New Rican Village in The Lower East Side, The Village Gate in Greenwich Village, and Hotel St. George in Brooklyn.

VISIT THE MAP/ARCHIVE

(Use a computer for a flawless experience)

 
 

THE BOOK

“The Lost Places of Salsa Music in NYC” is a bilingual English/Español publication with Terminal Ediciones that includes short stories about some of the most iconic landmarks that defined New York City’s salsa scene in the 1970s. The book contains oral stories, rare archive material, a map pointing to these lost spaces, and an interview with Orlando Godoy. This videographer recorded the salsa movement during the 1980s, and his story remained in obscurity until the publication of this book.

The first edition was sold out at its launch at the Printed Matter Art Book Fair in New York City in October 2022. The second edition was launched in August 2023 at MOCA, Museum of Contemporary Art in Los Angeles, California.

Buy book

 
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COMMUNITY SCREENINGS 

As a digital project, generating community gathering spaces is vital to make this story more accessible, active, and horizontal. 

For the last year, the interactive documentary has toured film festivals worldwide as public screenings. Here, the activities included a deep exploration of the salsa map as we listen to the oral testimonies and watch the visual material together. This format has resulted powerful as the community, who transited in the 1970s salsa club scene and their future generations, can see a visual representation of their history for the first time. 

The screenings have been presented in Spain, Germany, Panamá, Puerto Rico, Colombia, Argentina, and others. In October 2022, the Society for Visual Anthropology, part of the American Anthropological Association, hosted a public screening at the Annual Anthropological Convention in Seattle and awarded "Where We Were Safe" as Best Multimedia Project of the Year. 

 

OFFICIAL SELECTIONS

ALUCINE - LATIN FILM + MEDIA ARTS FESTIVAL

Official selection,
Canada, 2022


ECUADORIAN FILM FESTIVAL IN NYC

Official selection,
USA, 2022


MUESTRA DE ANTROPOLOGIA AUDIOVISUAL DE MADRID - MAAM
OFFICIAL SELECTION

Madrid, España, 2022


FESTIVAL DE CINE DE DERECHOS HUMANOS DE VIEQUES
OFFICIAL SELECTION

Vieques, Puerto Rico, 2021

THE SOCIETY FOR VISUAL ANTHROPOLOGY (SVA) - THE AMERICAN ANTHROPOLOGICAL ASSOCIATION,

Best interactive Media,
Seattle, USA 2022

ACAMPADOC

Official selection,
Panama, 2022

MIRA, LATINAMERICAN FILM FESTIVAL

Official selection,
Germany, 2022

FINNOF - FESTIVAL INTERNACIONAL DE NARRATIVAS NO FICCION

Official selection,
Argentina, 2022

NEF - FESTIVAL NARRAR EL FUTURO FILM AND MEDIA FESTIVAL

Official selection,
Colombia, 2022

 
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EXHIBITIONS INSTALLATIONS 

"Memoria, Salsa and Resistencia" is an interactive exposition based on the digital archive. Its objective is to activate the oral stories and memories compiled during the investigation of this project. The exhibition shows the material culture behind the lost spaces of salsa, including pictures, concert posters, flyers, records, and never seen video footage by videographer Orlando Godoy.

The exhibition has been mounted and showcased in Quito, Seattle, Los Angeles, Washington DC, and New York City.

Watch the installations

Parque Urbano Cumanda, Aug. 2022 - Quito, Ecuador
Nuyorican Poets Cafe, Nov. 2022 - New York City, USA
Annual Anthopological Convention, Nov. 2022 - Seattle, USA
Ansonia Records, Aug. 2023, Los Angeles - California, USA
Mt. Pleasant Public Library, Sept. 2023, Washington DC, USA

 

 

 

“PLACE IS POWER” WORKSHOP

For the last 80 years, Afro-american and Latinx barrios in New York City have suffered the drastic effects of racist urban policies and neoliberal agendas now mirrored in hypergentrification. Consequently, their historical sites, cultural hubs, and family businesses in the five boroughs have experienced a silent erasure.

“Place is Power” is a series of workshops to empower the Latinx community to understand why cultural spaces are essential and their need to be protected and preserved.

The workshop, developed in collaboration with Archivistas en Espanglish, explores the intersection between archives, oral history, and social cartography. During the sessions, participants learn about a methodology to develop place-based oral history and social mapping projects. They share the methodology and know-how used to create “Where We Were Safe,” so others can develop a similar mapping project and practice in their contexts, barrios, and communities.

 
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SELECTED PRESS

“Where We Were Safe”: Mapping Resilience in the 1970s Salsa Scene
THE LATINX PROJECT AT NYU

“Where We Were Safe, Salsa Forever”
RADIO GLADYS PALMERA - SPAIN

“Un mapa sobre resistencia y salsa en Nueva York”
RADIOINICA - Colombia

"Un archivo para honrar la identidad latina a través de la salsa”
RADIO COCOA - ECUADOR

FOR PRESS

whereweweresafe@gmail.com
marcosecheverriao@gmail.com

LECTURES

Place is Power - Oral History and Social Cartography
Columbia University - Barnard College, 2024

Place is Power - Oral History and Social Cartography
SUNY Bradbury University, 2024

“Where We Were Safe, an oral history of the lost
spaces of Salsa music in New York City”

University of California, Riverside, 2023

Archiving Efforts on Latinx Music in the US
Museum of Contemporary Art MOCA
Los Angeles, California, 2023

“Where We Were Safe, an oral history of the lost
spaces of Salsa music in New York City”

University of California, Riverside, 2023

“Growing our Community Oral History Projects”
Self evidence discord + Chinatownrecords, 2023

“Where We Were Safe: Documentary Practices
and Emerging Media”

The New School, 2023